SubScribe: Samantha Brick Google+
Showing posts with label Samantha Brick. Show all posts
Showing posts with label Samantha Brick. Show all posts

Wednesday, 2 May 2012

Wot were they thinking?




There are few things more irritating for a sub than to have a reporter look over your shoulder while you're working on a headline. One of them is to have a reporter come up after you've written it and quibble about the content. Even worse is when they're right and you've got it wrong.
Most headlines are thought about, tweaked and then revised (often rewritten from scratch) by someone further up the food chain. 
The splash is different. On most papers it tends to be a collaborative effort from the backbench, and on the red tops, of course, it is generally the heading that determines the layout rather than the other way about. So who sits in judgment on the biggest cheeses who write these heads?
If the editor, deputy or night editor has a fixed idea, they are unlikely to be dissuaded - although the less arrogant might seek a second opinion on questions of taste or slang. In those instances, the guiding rule is .."If you have to ask 'is this all right', you know it isn't."
Last week we had confirmation that one arbiter is likely to be the proprietor. Rupert Murdoch told the Leveson inquiry that he was unimpressed by the Major election splash:

It was tasteless and wrong, he said. Asked by counsel to the inquiry if it was true that he had, as reported, given Kelvin MacKenzie "a hell of a bollocking" over it, Murdoch said he hadn't thought so, but that he'd checked with his son James who told him that, indeed, he had. (Odd that he should check with James on this matter, since in 1992 James was even less of an expert on News International papers than he is today).
Even more important than Mr Murdoch's opinions, however, are those of the readers - and when they start complaining by the score - and  not to you, but to the Press Complaints Commission - you can be pretty sure you've got it wrong. And once again it's the W that has got The Sun into trouble.

Goodness knows what whoever was behind this front page and the inside spread was thinking. Indeed, were they thinking at all? Did they think it was smart to make five lame oblique references to the way the new England football manager (why are some managers and others coaches?) pronounces the letter R? Or witty? Or affectionate? Didn't anyone have the guts to point out that it was plain offensive? Or was everyone on  the backbench rolling around preening theselves as they came up with other R words to contort? 
Nick Parker's copy was straight down the line

Proud Roy Hodgson promised to win over doubting football stars and fans after he was confirmed as England's new boss yesterday.
The 64-year-old, a shock choice, immediately urged the nation to get behind the team.
Hodgson, affectionately known as Woy due to his speech impediment, insisted England can win Euro 2012 after our campaign kicks off against France in the Ukraine next month.

Did the original copy have that reference to Woy in the third par, or was it written in by the subs to justify the headline nonsense? There's a whole spread inside with completely straight copy - The Sun knows its readers take the game seriously - and a personal sidebar by West Brom fan Adrian Chiles, with no Woys in the text. The four sports pages devoted to the new manager are also a Woy-free zone. Yet the inside news spread head is Woy beats Redknapp to land England job and then we have three quotes Woy on fans, Woy on team,  Woy on Euros
Woy, Woy, Woy. Why, why, why?
What is the justification for the claim that the polymath Hodgson is affectionately known as Woy? That a group of Fulham fans once put up a banner saying "In Woy we twust?" 
Maybe The Sun team thought it was OK because it knows it can get away with taking the mickey out of Jonathan Ross. But Ross is a quite different sort of person, from a different generation, with a different reputation, working in a different sphere - and, most importantly, he embraces the nickname and is happy to tweet as @wossy.
Then, of course, there was that other Woy - the original, in fact. Roy Jenkins also suffered from rhotacism and didn't seem to suffer too much from gentle teasing.  Charles Moore wrote a column in the Telegraph a decade ago with  Woys spattered through it and which appeared under the heading It was Woy wot won it - maybe blazing a trail for The Sun to follow if the football team triumphs in the summer.
But in this instance, The Sun is guilty of a terrible misjudgment. Whatever the excuses, the enduring impression will be of a newspaper that backed the wrong horse  (the letters page carried contributions from six readers, every one of whom wished that Harry Redknapp had got the job) and immediately reverted to the infantilism that turned Graham Taylor into a turnip. It was ill-judged on every level - especially on the very day that every serious newspaper was splashing on its proprietor being declared unfit to run a business empire as a result of its now-defunct sister paper's disgraceful activities.
It shouldn't need saying that newspapers should never make fun of anyone's disabilities, but they should also beware of playing around with people's names - in headings or in text. Sport is a different world and the name-based puns are marginally more acceptable there, but in news it is just plain wrong.
I  have fond memories from my junior days of a fellow reporter who was looking for a new slant on yet another wedding report. The bride was Miss Nichols, the groom Mr Nicholls. Would it be too bad, my friend asked, to suggest that the bride had got married for the 'l' of it? It was a great joke for the newsroom - and that, thank goodness, is where it stayed.



Update, May 3:

Well, a silent retreat would have been the best response to the anger provoked by yesterday's front page, but - well that wouldn't be The Sun would it? So ignoring all the real news and real issues on what is, remember, an election day, the paper chooses to splash on itself. We were just having a laugh and here's Jonathan Ross to defend us.  
Except that he doesn't, actually. He says life's too short to worry about being teased, that it was obviously a joke and that we all know what The Sun is like. Well, saying you know  what someone or something is like isn't the same as endorsing them. It means "What do you expect?" I know what the Ukrainian president is like, but I'd never defend him.
The paper has got it massively wrong again...and it knows it, otherwise that splash heading would have said Woy wow is wuddy widiculous.




The Sun wasn't alone in the dodgy headline stakes today. Our old friend Samantha Brick proved again that her journalistic instincts are skin deep as she returned to the subject that has brought her infamy and fortune - outward appearances. Today she has jumped belatedly on to the AA Gill bandwagon, defending the Sunday Times critic whose little aside on Mary Beard's hair and teeth caused such a stir.
Odd, really, since it was the Mail that gave Professor Beard a platform to answer back. 
The Brick feature is the usual tripe, so I won't reproduce it. Suffice  to say, she is an expert television executive and the BBC should have given Professor Beard a makeover or at the very least a few style tips before letting her loose in front of the camera to present her compelling series about the Romans.
What interests me in this case is not the article, but the presentation. The Mail website's style is to have long-winded headings, presumably for Google search purposes.  The space is generally used to impart detailed information about the story or the main character. In this instance, two of the three lines are devoted to the author of the article, while Mary Beard's name isn't even mentioned.
And look at the way the Mail describes one of its own writers ...that self-proclaimed beauty...
How disdainful can you get?
Ms Brick must really need the money. She cannot possibly be so desperate to be noticed that she's willing to sacrifice all dignity and credibility by playing the same old tune again and again on slightly different instruments.
The Mail, meanwhile, is laughing not only all the way to the bank; it is laughing openly in Brick's  face.
Most of us have to sign contracts with our employers promising to adhere to a professional code that includes not bringing our newspaper into disrepute. Perhaps someone should suggest to Ms Brick that she needs to strike a deal requiring reciprocation from the Mail. Somehow this episode feels akin to the prostitute getting run in by the rozzers (or wozzers?) while the punter takes his pleasure, hands over his fiver and goes on his happy way scot free.




Thank you for sticking with it to the end. Please do share your thoughts below. And please take a look at the other posts. They are all media related.

Sold down the river the Beeb's flotilla and fireworks fiasco - and a feeble fightback. Why didn't the top man have his hand on the tiller?

Hello and goodbye to Wapping a personal diary of life inside the fortress in the days before the strike that changed newspapers forever

Out of print a love letter to newspapers in this digital age. Why they don't have to die if we have the will to let them live and thrive

Why local newspapers matter Why we should care about the revolution in the regional press

Missing: an opportunity How the hunt for Madeleine McCann could be turned into a force for good instead of just a festival of mawkish sentimentality

Riding for a fall Does buying a ticket for a jolly day out at the races mean you are fair game for the snobs who sneer and snipe?

Just a pretty face Illustrating the business pages isn't the easiest job in the world, but spare us the celebs who aren't even mentioned in the story

Food for thought a case study in why we should take health advice with a pinch of salt (and a glass of red wine and a helping of roast beef) 

The world's gone mad Don Draper returns and  the drooling thirtysomethings go into overdrive But does anybody watch the show? (But there is more Whipple in this post!)




Wednesday, 4 April 2012

More Brickbats




The woman in this picture looks delightful. She is sitting happily with her dog in the summer sunshine,  joy and contentment shining from her face. Most people would look at it and think 'she's pretty'.
The photograph appeared at the bottom of a Mail Online article by Samantha Brick on the horrendous 24 hours she had suffered since daring to write that her looks inspired spontaneous acts of kindness and generosity from strangers (men) and  jealousy and backbiting from friends and colleagues (women).
How interesting that this picture was right at the end of the article. The original piece published yesterday was accompanied by seven photographs; today's fightback by five, plus the original from Tuesday's print edition. Eleven of the twelve pictures are unnatural, with forced smiles, ungainly poses. This is the only one in which Ms Brick looks relaxed and is thus the only one in which she looks remotely attractive. So why is it at the bottom? Why was it not the main picture for the original article?
I was not alone yesterday in suggesting that she had been set up, and - like others - I did seriously wonder if 'People hate me because I'm beautiful'  was an April fool's joke that fell off the weekend schedule  and ended up being published a couple of days late.
In today's piece about the backlash, Ms Brick states that she had, indeed, pitched the idea herself and that she had known she risked setting herself up for a fall.
Let's strip away the arrogance and egotism for a moment. Does she have a point? Do women behave badly towards their more attractive friends? Do good looks hold a woman back?
It's a counter-intuitive argument, nicely brought into perspective this morning by that BBC dinosaur Michael Cole (whose opinion we must respect, since he was not only once  a newsreader, but also acted as an apologist for Mohamed al Fayed). He says today that  some women newsreaders are on screen only because they look good, wear nice jackets and can read an autocue. 
Looks matter, he says, under the lights. Middle-aged women should stop carping as though they had a right to a permanent place in front of the camera. And, poor lamb, he tells us that he too suffered for his looks: he "endured five years of rejection because he looked too young".
So Ms Brick isn't appreciated because she's too pretty; Mr Cole wasn't appreciated because he was too boyish. 
It's an old issue - shallow Britain can't see  beyond appearances -  yet it may still be one worth rehearsing on a quiet day. But for goodness' sake, 'I'm so beautiful, everyone hates me' is not the way to go about it.
Where is the editing in all this? Did Ms Brick insist that she wanted to write the piece from this perspective? If so, the editors will have been licking their lips. They may be many things at the Mail, but they're not daft. They let this silly woman witter on, then deliberately illustrated her nonsense with  pictures that invited the response 'Who does she think she is? She's not that special.'  
I'm not defending either article. I think they are both complete tripe. I'm sure Ms Brick had a torrid day yesterday and didn't like 'global condemnation' she provoked. But she might pause to reflect for a moment on the contradictions within and between her two pieces.
She bragged about how people she didn't know would send her champagne, pay her rail fares, rush to thrust flowers upon her in the street like that old Impulse ad. It didn't occur to her that this had as much to do with the men being nice as with her being beautiful;  she just accepted it as her right, the natural order of things, the way it had always been. She has admitted that she flirts to get on; but doesn't see that some of those charming blokes might also be flirts ready to  turn to the next pretty woman once she was off the scene. 
Yesterday it was fine and dandy to accept the compliments and generosity of strangers. Today it is outrageous for people 'who don't even know me' even to express an opinion - if that opinion happens to be 'Actually, girl, you're not as hot as you think you are'.
It's also bad, apparently, for friends to gossip about her. Well,  that's what friends do when one of the group is in the limelight. And true friends will tell you when you're making an ass of yourself. That's the point of them.
However self-inflicted this torrent of digital abuse may have been, you can't help but feel sorry for the woman. She has demonstrated a spectacular lack of self-awareness, but it is a failing that has proved a boon for those Mail executives who chose to run with the original piece and then sat back and smiled as the cash rolled in with every internet hit.
It is the role of columnists to be provocative, and they should be ready to take the consequences of their words. But there also has to be some level of responsibility in the glass offices. The Mail executives let her walk over a bear trap and when she fell into the pit, they threw her not a lifeline, but a spade so that she could carry on digging.
Let's go back to her original pitch: pretty women get a raw deal. Ms Brick refers in her piece to Brad Pitt, Angelina Jolie, Victoria Beckham. There are millions of women out there who are beautiful, not all of them in the public eye. Why didn't those editors say 'Yes, Sam. Great idea. Why don't you go and talk to some good lookers and see what stories they have to tell?'
The result might have been a series of interesting and enlightening anecdotes to prove or disprove the point. The feature could have been illustrated with an assortment of pictures of the women quoted. And they could have used that pretty picture at the top of this blog for the byline: a subtle way of saying 'I know of which I write' without the overt simpering vanity.
But of course, that wouldn't have had Twitter alight all day or brought in more than a million hits, 5,000 online comments, 24 hours of free publicity -  and up to £100,000 in hard cash.
I said yesterday that Ms Brick was either astonishingly vain or a Mail patsy. It turns out she was both.


Thank you for sticking with it to the end. Please do share your thoughts below. And please take a look at the other posts. They are all media related.

Sold down the river the Beeb's flotilla and fireworks fiasco - and a feeble fightback. Why didn't the top man have his hand on the tiller?

Hello and goodbye to Wapping a personal diary of life inside the fortress in the days before the strike that changed newspapers forever

Out of print a love letter to newspapers in this digital age. Why they don't have to die if we have the will to let them live and thrive

Why local newspapers matter Why we should care about the revolution in the regional press

Missing: an opportunity How the hunt for Madeleine McCann could be turned into a force for good instead of just a festival of mawkish sentimentality

Riding for a fall Does buying a ticket for a jolly day out at the races mean you are fair game for the snobs who sneer and snipe?

Just a pretty face Illustrating the business pages isn't the easiest job in the world, but spare us the celebs who aren't even mentioned in the story

Food for thought a case study in why we should take health advice with a pinch of salt (and a glass of red wine and a helping of roast beef) 

The world's gone mad Don Draper returns and  the drooling thirtysomethings go into overdrive But does anybody watch the show? (But there is more Whipple in this post!)


Tuesday, 3 April 2012

Thick as a Brick


Blogging is, of course, vanity publishing. We toil at our laptops and bash out opinions on whatever takes our fancy. There is no enforced discipline, no editor to please, no deadline. If people like what we write that's great. If not, no matter. We may like to think we're offering insight or whatever, but if we're honest we're probably doing it for ourselves.
Today vanity publishing was taken to a completely new level and the question most of us are asking is Why? 
The 6Music presenter and Twitter queen Lauren Laverne was among the first, with her 7.45am tweet 'Why do people WRITE articles like this? And why am I reading it?'
The link on the tweet took followers to an article on the Daily Mail website that left any sane reader gasping in disbelief. 

There are downsides to looking this pretty: Why people hate me for being beautiful

Samantha Brick's extraordinary catalogue of self-glorification, from airline pilots sending her champagne to strangers buying her rail tickets - all apparently because of her 'pleasing face and pretty smile' -  was accompanied by seven photographs that showed a nice enough looking woman but no Sophia Loren.
The point of the piece was apparently not to tell us how beautiful she was, but to complain that other women couldn't cope with being in the same company as such a goddess. They would put her down, snipe about her, blank her - and all because of the way she looked.
The feature went live at midnight; the first comment, from a reader in America, was posted at 1.49am. By lunchtime she was trending on Twitter, by teatime the Mail website had published more than 4,000 comments.
It is fair to say Ms Brick does not come out of it well. But she predicted that:


If you’re a woman reading this, I’d hazard that you’ve already formed your own opinion about me — and it won’t be very flattering.

Which brings us back to the question: Why? Ms Brick's back catalogue doesn't do her any favours. The headings below are an accurate reflection of the prose that followed:

I use my sex appeal to get ahead at work - and so does ANY woman with any sense
(August 2011)

Catfights over handbags and tears in the toilets. With her women-only TV company this producer thought she'd kissed goodbye to conflict...
(April 2009)

So three years ago, Samantha Brick was writing in the Daily Mail about what a load of bitches other women were. So bitchy and jealous that they destroyed her business.

We know that the Daily Mail likes nothing better than to attack its core readership - women. We know Ms Brick thinks she's pretty (there have been plenty of pieces about her appearance). We know she thinks women are out to get her. She must have realised the response this piece would generate. So why this nauseating drivel today? 
Is she so desperate for the money that she's pitching such features? Or was she asked to write it? And if so, how did that call go? "Oh Sam, you're just so lovely, why don't you do a piece for us on the viperish attitudes of ordinary women are and how difficult it is for glam girls to get on - or in - with the sisterhood?'
I would just love to know how she gets on with whoever was commissioning and editing Femail yesterday.
I think she's been set up.


Thank you for sticking with it to the end. Please do share your thoughts below. And please take a look at the other posts. They are all media related.

Sold down the river the Beeb's flotilla and fireworks fiasco - and a feeble fightback. Why didn't the top man have his hand on the tiller?

Hello and goodbye to Wapping a personal diary of life inside the fortress in the days before the strike that changed newspapers forever

Out of print a love letter to newspapers in this digital age. Why they don't have to die if we have the will to let them live and thrive

Why local newspapers matter Why we should care about the revolution in the regional press

Missing: an opportunity How the hunt for Madeleine McCann could be turned into a force for good instead of just a festival of mawkish sentimentality

Riding for a fall Does buying a ticket for a jolly day out at the races mean you are fair game for the snobs who sneer and snipe?

Just a pretty face Illustrating the business pages isn't the easiest job in the world, but spare us the celebs who aren't even mentioned in the story

Food for thought a case study in why we should take health advice with a pinch of salt (and a glass of red wine and a helping of roast beef) 

The world's gone mad Don Draper returns and  the drooling thirtysomethings go into overdrive But does anybody watch the show? (But there is more Whipple in this post!)